Shape of Momos, a Nepali-language film produced by Rai’s production house, Dalley Khorsani Productions, is set against the backdrop of Sikkim and tells the poignant story of Bishnu, a woman navigating the complexities of a patriarchal society alongside her multi-generational family of women. The film explores themes of identity, freedom, and the cultural challenges faced by modern women in traditional communities.

The Film Bazaar Work-in-Progress Lab provides selected filmmakers with the rare opportunity to present their rough cuts to a panel of distinguished mentors from the international film industry. These mentors, including renowned film festival directors, producers, and critics, offer invaluable feedback to refine the films before their final release. Rai’s participation in this lab offers her the chance to elevate Shape of Momos through expert guidance, post-production resources, and access to key industry contacts.

Rai, who hails from Nandok, near Gangtok, has long been a passionate advocate for women’s voices in cinema. Her short films, such as Memory of a Heart and Yathawat, have earned recognition, with Memory of a Heart winning the Best Short Film Award at the Northeast Film Festival and the Audience Choice Award at the Women’s Voices Now Film Festival in California. In 2019, Rai also represented India and bagged second prize in the “short film idea” category at the 37th Fajr International Film Festival (FIFF) 2019, in Tehran. Tribeny Rai and Abhishek Chettri represented as part of the Indian delegation at the prestigious 29th Busan International Film Festival 2024 in South Korea. Her experience in short-form filmmaking, coupled with her deep understanding of gender dynamics in her community, informs her powerful narrative in Shape of Momos. Her other short film Chori (Chhori), Last Rites from Sikkim were screened in the Northeast cinema festival ‘Fragrances from the North East’ at New Delhi during August 2021.  To name a few of her other films are Sikkim Soccer Girls, Just like a son (under completion which stars Gaumaya Gurung from Nepal and Shyamashree Sherpa from Sikkim), 

Speaking on her selection for the Work-in-Progress Lab, Rai expressed her excitement about the opportunity to refine her film under the guidance of industry experts. “The lab’s support, especially in post-production and technical assistance, will be crucial in bringing our film to its fullest potential. I’m particularly excited about the access to producers, distributors, and festival programmers that the lab provides,” said Rai. “This feedback will be invaluable for shaping the final version of the film and increasing its visibility at international festivals.”

The Shape of Momos team is eager to leverage the lab’s platform to attract global attention, with plans to premiere the film in international film festivals before its scheduled release in 2025.

A Journey from Sikkim to the Global Film Stage

Tribeny Rai’s cinematic journey began after completing a diploma in direction and screenplay writing from the esteemed Satyajit Ray Film and Television Institute in Kolkata in 2015. Since then, she has made a mark with her short films and documentaries, focusing on issues such as women’s empowerment and social justice. Rai has also taught film studies and scriptwriting at Sikkim University, nurturing the next generation of filmmakers.

Shape of Momos is not just a personal project for Rai; it’s also a reflection of her experiences growing up in a society where gender discrimination was part of everyday life. In an earlier interview with Roots and Leisure (Sept 2018), she spoke about how her own upbringing in a predominantly male-dominated society shaped her outlook on life and filmmaking. “I grew up in a household where my mother fought against societal expectations and gender biases. These experiences have deeply influenced the stories I tell through my films,” Rai said.

While filmmaking as a profession often poses challenges for women, Rai is determined to continue creating films that explore the complexities of identity and gender. “Filmmaking may be a male-dominated industry, but cinema as an art form transcends gender. My films are deeply personal, and they are meant to reflect not just my own experiences but those of many women who face similar struggles,” she added.

Her work, which often tackles issues such as gender inequality, family dynamics, and the challenges of traditional societies, has found a wide audience, particularly in international film festivals. Rai’s Shape of Momos is expected to continue this tradition, shedding light on the cultural nuances of Sikkim while offering a universal narrative on the complexities of modern womanhood.

Excerpts from Roots and Leisure Interview:

In ther interview with Roots and Leisure, Rai opened up about her personal connection to gender issues, explaining how her childhood experiences shaped her as a filmmaker. “My parents raised four daughters in a predominantly male-dominated society. At a very tender age, during family gatherings, I had my first-hand experience of gender discrimination. I have seen my mother struggle to send us to an English medium school and my father was mistreated for not having a son. Growing up, this deeply affected me and my outlook towards life but for a very long time, I wasn’t ready to accept or address such gender issues in my films.”

She continued, “Cinema is an art form that creates awareness for the world but it has to come from a very pure and honest place for that to happen effectively. I was taught that the most honest form of filmmaking is to make a film for yourself. So when I make a film, I am actually making it for myself, therefore it is very personal. Also, my experiences are best known to me and are specific to me and thus, they become especially personal by default.”

Reflecting on her journey as a woman filmmaker, Rai shared her thoughts on the challenges she faces. “It would be unfair for me to say that I haven’t had to struggle a little extra for being a woman in this profession. Both conscious and unconscious gender bias is rampant in most industries, but most of us aren’t aware of it. Filmmaking as a profession may discriminate but cinema as an art form doesn’t – One stops being a man or woman all the time, you just become a piece of life with thoughts and experiences,” she said in the interview.

“My mother is undoubtedly my biggest support system… People who know me personally know that I’m almost obsessed with her. Bijoy Gurung has been one of my best friends and a mentor to me since I interned under him at the daily newspaper Sikkim Express in 2009. My wellbeing and success have always been their priority and I draw my inspiration to create from both of them. My films are my babies but I could trade it for them,” she added.

The Work-in-Progress Lab: A Launchpad for Emerging Filmmakers

The Work-in-Progress Lab at IFFI is a platform that has helped propel the careers of several successful filmmakers in the South Asian film industry. Past participants include the makers of critically acclaimed films like Lipstick Under My Burkha, Ship of Theseus, and Shivamma, which went on to achieve international recognition. 

This year, Shape of Momos joins an impressive list of six films selected for the lab, each reflecting diverse storytelling from young and emerging filmmakers. Beside Shape of Momos by Tribeny Rai (Nepali) from Sikkim the other five are Gaangshalik (Gaangshalik – River Bird) by Shakteedhar Bir (Bengali), Yerra Mandaram (The Red Hibiscus) by Mohan Kumar Valasala (Telugu), Kaatti Ri Raatti (Hunters Moon) by Ridham Janve (Gaddi, Nepali), Umal by Siddharth Badi (Marathi)  and The Good, The Bad, The Hungry by Vivek Kumar (Hindi)

The lab’s dual format of online and offline sessions allows filmmakers to interact with mentors and fellow participants, fostering a creative exchange of ideas and offering opportunities for growth. For Rai, the lab represents a significant step in her journey as a filmmaker and a valuable opportunity to refine her craft before taking Shape of Momos to international audiences.

As Shape of Momos progresses through the Work-in-Progress Lab, Rai’s vision of bringing the voices of women from Sikkim to the global film stage is one step closer to reality. The success of this film not only promises to amplify Rai’s voice but also to shine a spotlight on the rich cultural heritage and emerging cinematic talent of the Himalayan region.

With the guidance and resources offered by the lab, Rai’s debut film is poised to make a lasting impact on the world of South Asian cinema, introducing a new and much-needed narrative from the hills of Sikkim to the global film community.

About Film Bazaar

Film Bazaar, an initiative by the National Film Development Corporation of India (NFDC), is a B2B platform designed to promote South Asian films to international and national markets. Its Work-in-Progress Lab, launched in 2008, has been instrumental in the success of numerous South Asian films, helping them achieve critical acclaim and widespread recognition in international film festivals.

(https://rootsandleisure.com/filmmaker-tribeny-rai-from-sikkim/)